Showing posts with label Out of the Kiln. Show all posts
Showing posts with label Out of the Kiln. Show all posts

Monday, January 28, 2013

Out of the Kiln - January 2013

Work started coming out of glaze fire the first week in January!  Below you'll find the latest designs for my stained glass inspired series.





The first of my new forest luminaries are out of the kiln this month as well with the rest to follow in the first few days of February!  A little sneak peak.

Tuesday, January 1, 2013

Out of the Kiln - December 2012

A little bit of a mixed bag for the month of December that includes some pieces I was putting off glazing (like the stained glass inspired tree with dark blue background), class demos, custom orders and, as always, some experiments!














Tuesday, November 27, 2012

Out of the Kiln - November 2012

The outcome of the latest round of color scheme tests for my stained glass series are out of the kiln this month.  Check them out below!











Monday, October 22, 2012

Out of the Kiln October 2012

Fewer pieces out of the kiln this month since my big glazing push was last month, so I could ensure having pieces in time for Art, for Heaven's Sake.  I do have some fun results to share though!

New stained glass inspired pieces in wall hanging form and with new designs!









Below are more pieces from out of the kiln the last full week of October. You can see some of my class demo pieces (mugs, tree stump vases) as well as my latest stain glass inspired pieces.


Also out of the kiln this month is a custom order for two vases and three luminaries. They will be adding to the decoration of a massage therapist's massage room!

Monday, October 1, 2012

Out of the Kiln September 2012

September has been all about glazing.  So much glazing that the next time I glaze will be too soon!  Don't worry though, I can't stop making work that will need to be glazed, so I'm sure it will pass. : )

I've been playing around with different glaze color and firing temperature options to achieve different effects on my stained glass inspired pieces.  I've broken down the results of all this testing for you here.

High Fire to Cone 10 is my glaze temperature home!  I fire most of my work to Cone 10 (that's just under 2400 degrees) and love the depth of color that can be achieved at this temperature.

My glaze results vary in color here mainly due to clay body vs. firing temperature.  The lighter color pieces were all created with porcelain which provides a great backdrop for what I like to think of as the original stained glass inspired series look.  The darker, kind of mysterious colors, are all on stoneware clay that has a ton of iron oxide at to the clay for a deep red tone that also deepens the glaze colors.










Low Fire to Cone 06 is my most recent experimental glaze temperature.  At this lower temp (around 1800 degrees) I can create bright colors with a wider range of shades.  I really like this option for the greater variety in the color palette than what is available at high fire.